ROCIO AGUIRRE
PRESS
Omar Khan, SusyQ, December 13, 2021
Performance at the Madrid Choreographic Contest
"... a creation of enormous plasticity that knows how to sustain its internal drive and that suggestive and enigmatic atmosphere."
Olga Careño Pedrozo, December 27, 2021
Performance at the Madrid Choreographic Contest
"A sublime game of two intertwined bodies that merge with each other in a magical way, capturing the viewer and taking them to a fantastic world where dancing is an expression of Love."
Nuria Ruiz de Viñaspre, Blog Ellas Crean, March 22nd 2022

Performance in Festival Ellas Crean
"It is the constant oscillation of the human. The emotional physicality from which the world is perceived. From which to search for the human totality. The transcended noosphere.”
Mercedes L. Caballero, April 10th 2022
Performance in Festival Dansa Valencia
"IN-SIDE [...] threw signifiers and meanings from the scene about complicity and bodily forcefulness."
Omar Khan, SusyQ, April 12 2022
Performance in Festival Dansa Valencia
"IN-SIDE choreographic miniature of enormous visual force and tremendous poetic charge executed with precision by Madrid artists Lucía Montes & Mado Dallery"
Julia McGee-Russell, April 12 2022
Performance in Festival Dansa Valencia
"Wearing cream and white, the duo moved with smooth abandon, reflecting and sliding off of each other’s mirror surface."
Luis Alberto Sosa Berlanga, 4 of February 2024
MODA NO SOY in 8x5 Project, Madrid
"Mado Dallery and Lucía Montes combined with temperance and an adventurous spirit expressions that reach the performative, without neglecting the why and for what it is important to stop this type of content, which has so conditioned and affected all generations."
Interview for MODA NO SOY at the MOVE festival
"We deal with the theme of condescension and how a body resurfaces from the depths of this feeling of nonconformity."
Interview for IN-SIDE in Tarragona, Mas d'en Sorder, Danza A Escena 2024
"In the same way as the costumes, which transmit the texture of the different layers of the skin, the music reinforces, from sensitivity, the choreographic work."